Malthusian interview

My first band interview, conducted with Ireland's black/death heathens Malthusian, is up now over at Echoes and Dust. An excert follows, but you should read the full unedited version at the original site. Thoughtful responses from a thought-provoking band.

(((o))): The idea of Malthusian catastrophes being a catch-all term for the destruction of vast swathes of the human race via war, famine and disease is fertile material for subject matter within extreme music, and it has obviously inspired your choice of band name. In the two centuries since it's publication, the original ideas put forth by Malthus in An Essay On The Principles Of Population have been misinterpreted, co-opted, and disparaged by many.

Are the ideas put forth in the original text something that you all have a similar viewpoint of as a collective, or does it inspire debate and dissent among the ranks? How does Malthusianism, free of any modern political agenda, inform your lyrical content, if at all?

Malthusian: We are more concerned with artistic expression than presenting any sort of formal political agenda. Malthus's theory of human population being regulated through epidemic, war, natural disasters, crop failure and such struck a chord with us and gave us a starting point in terms of lyrical inspiration. That said, we have not and will not be restricting ourselves to such matters. The name simply captured the feeling that we were developing with the music, it sounded intriguing and a little bit different to the normal Death Metal band names you see everywhere. We are not interested in toeing the line or worrying about other people's notions of what a DM band should conform to.

(((o))): Coming from diverse acts such as On Pain Of Death, Altar Of Plagues, Wreck Of The Hesperus and Mourning Beloveth, what led you all to get together to create an arguably even more sickening noise than all your other bands?

Malthusian: The constant need to express ourselves through dark, unpleasant music was all the motivation we needed.



Malthusian's MMXIII demo tape (limited to 300 copies) is available to order now from Invictus Productions.

Malthusian - MMXIII

Anyone who is even vaguely aware of the writing of Thomas Robert Malthus will immediately recognise the significance of the monicker Ireland's Malthusian have bestowed upon themselves. In simple terms, the primary tenet of Malthusianism is the knowledge that the Earth's population growth far outstrips the increase in resources required to sustain it. As such, the population must be reduced by factors such as war, famine and disease; that suffering and death is necessary to sustain the human race at even a basic level of subsistence.

From this, it can be construed that these factors, known as Malthusian catastrophes, are the base inspiration for all those who espouse misanthropy and the stated desire for the infliction of suffering; pretty much most death/black/doom metal, in other words. The three tracks of skull-scraping racket contained on Malthusian's MMXIII perfectly embody these principles in horrifying aural form.

With a ghastly hiss, the ominous opening of 'Wraith//Plague Spore' seethes its way from the speakers. The keen, atonal edge of the guitar winding serpent-like through the cacophony of percussion, while the vile vocals escape like gas from a bloated corpse. The sepulchral atmosphere of this opening section soon becomes a shuddering death rattle, all blastbeats and churning guitar.

The unintelligible invocations barely audible over the thunderous din of the music, which writhes between black, death and doom metal with horrifying ease, are spewed forth by each member of the band, each throat possessing a different demonic timbre.

With MMXIII, Malthusian are a howl of rage against a sickening species in dire need of a cull.

Read my full review over at Echoes And Dust...